On Hamilton and Casting

Ever since I saw this floating around the interwebs, I’ve been stewing on what exactly I want to say about it.
I’m a white actress and writer, and I’ve been auditioning for theatre, film, and TV for over 20 years. The majority of the casting calls I see and receive include specifications about race. We’re talking at least 90%, probably more. They also always specify gender, frequently include age ranges, physical descriptors, and often absurd “qualifications” (especially for women). Casting is a world that operates very differently from your typical employer/employee relationship. I’m not here to argue the legality or moral implications of these facts. I’m telling you that when it comes to casting, this is the current reality.
Hamilton is a revelation. It’s a brilliant and captivating piece of theatre like nothing we’ve ever seen before. It’s “not a moment it’s a movement.” Whether you know it or see it or like it, Hamilton reflects the world that we live in. As creator Lin Manuel Miranda said, Hamilton is
If you’re a white actor feeling left out of this opportunity because of your race, well… take a minute to imagine feeling that way every single day, in damn near everything that you do. Then take another minute to acknowledge the privilege of a life where you almost never, ever, ever have to think about that. 
Work
#work

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